Presentation of Iryna Sarokina by François Garros

 Evidence of sharing

"Poetry" was the first word she uttered. It was also the name of the first page of his paintings on his site. He was surprised. He discovered his landscapes, his portraits, a dance of characters, houses, animals, in a small Belarussian town, like a Christmas garland, a curious alchemy between matter and sign. He heard the legend of characters and colorful animals, where the magic of childhood mixes with a fantastic bestiary, achieving a dreamlike balance. He had thought of a painting after Chagall, the freshness of a bouncy painting, and by no means naive. A super-symbolic reality.

She asked him where he came from. Of all the territories where the sign is never defined, but always to be reborn. He says that we are beginning to work on these mysteries that work for us, these discovered / covered forms, which haunt our spirit and captivate our bodies. Only painting was an answer to our modern anxieties, a shaping of colored spaces whose resonance he sought. Unceasingly inhabit the web of expressions, footprints, collages drowned in the material-painting, traces ... She heard the territories she loved, the resonance of the material, the landscapes where the painter fights to make his own world, without turning its back on reality ... A curious alchemy between mystery and reality ... He understood the evidence of sharing.